Tag Archives: Music - Page 2

Swing the night away

This weekend is the final half of the Twin Cities Hot Summer Jazz Festival, which has quite a few local and national jazz acts performing on mostly free stages in and around Peavey Plaza in downtown Minneapolis. I have been to at least some portion of each of the last four festivals and have been looking forward to this year’s event. I was a little disappointed to note that the festival is a fair bit smaller than it has been in the past, with only a single free stage on Friday night in Peavey Plaza, and two free stages Saturday and Sunday. In comparison, two years ago I remember there being five stages running all day on Saturday and Sunday.

For the most part I have been going to the parts of the festival that I have been able to get to by myself but this year I was fortunate enough to remember to invite my dad early enough that he might not have fully booked his schedule yet, and so he and I had a grand evening last night enjoying the festival and each other’s company.

The day started out somewhat mixed when I ended up having significant car trouble from what has turned out to be a bad tank of fuel. I had stopped at a new Biodiesel pump on the southeast corner of 66th St and Portland Ave in Richfield on Thursday afternoon and not driven much after filling most of the tank. Friday morning on the way into work I noticed that the car was performing very sluggishly and the exhaust was both extremely thick and smelled quite intensely of burning something and the nice people at West Side VW where quite surprised that the engine was able to do much with whatever had been sold to me as fuel. Still, emptying the entire system, clearing the lines, a new fuel filter, and at least some cleaning of the fuel pump will hopefully get things running fine sometime today.

In any case, this did change plans somewhat as I would not be able to meet my dad at my house as had been planned, but it was not a huge deal for him to pick me up at work, and from there were went to my place and took the LRT into downtown for the festival, only an hour later than we had hoped and unfortunately having missed Ginger Commodore. Neither of us had managed to have dinner yet so when we arrived were quite hungry and while it might have been interesting to stay for Dan Kusz‘s set on the main stage, the song they were performing wasn’t nearly as interesting as the possibility of food so we popped into Brit’s for a good meal.

Well sated, and having had a chance to talk, we were lucky enough to came out just in time to see the third act for the night, Grace Kelly. Being 15 she definitely lacked some of the polish and long experience that I often see on the main stage, but she made up for all of that and more with raw talent and vivacious dedication to her sax playing, as well as her singing, and even managed to surprise with a couple of tunes she had composed herself.

The last main stage set was the one that I had been looking forward to and Barbara Morrison was even more fun this year than last. Getting to hear her is such a treat with her fabulous stage presence and wicked humor between songs it makes for a great way to end the night. The dancers tend to come out of the woodwork during her set as well and getting to watch some great swing dancers bopping along to the music just made it even more fun.

While somewhat tempted to stay out for the jam session at the Dakota, we decided we had better start heading home since there was still an hour before the jam would even start and it had been a pretty full day. On the way home we did decide to take a slight detour and stopped for adult malts at the Town Talk Diner. Dad had the Mint Condition, my usual favorite, while I tried the Silly Rabbit. I don’t know that I would have it twice, but I can say that it was the living embodiment of an alcohol infused version of the bottom of a bowl of Trix cereal on a Saturday morning watching cartoons. That particularly sweet, sticky, creamy, but slightly grainy flavor and texture are iconic enough to bring back memories though I’m pretty sure it was Kix in my family instead of the extra-sugared Trix.

Looking forward to today’s line-up and I going to stay up for the jam session tonight. I’m always looking for friendly faces so give me a ring if you’re in the area.

Update: Thoughts from day 2 here.

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Sole Inhabitant, but not lonely

My autographed copy (#219!) of Thomas Dolby‘s “The Sole Inhabitant” concert DVD arrived in the mail today from CD Baby and I spent a really great evening getting through the contents despite a couple of little flaws in the package.

The main content is the concert from September 28th 2006 at the Berklee Performance Center in Boston. Being a big fan of Thomas Dolby’s music means that it was worth it just to hear some great live arrangements of several of his classic songs, but the video presentation by Johnny DeKam really made it fun to keep my eyes open instead of just blissing out to the music. Using several cameras, video effects, and sometimes the video footage that accompanied the live music, the imagery is very suitable and comes off as very professional even though there is obviously very few people behind the production. The concert itself is presented in two formats: with the introductions between songs, and without the introductions between songs. I tend to like to hear what a performer has to say as much as what they play so I stuck with the version with introductions and was not displeased. The concert is fairly well constructed and moves well between numbers. The monologue’s between tracks are to the point and show an old hand to the stage successfully getting his sea legs back after being ashore for an awfully long time.

Also on the disc are several extras: “Rig Voyage” is a portion of a presentation given to students at the venue, “Building a Song” is a narrated clip from the TED 2006 conference, and “Studio Interview” is exactly as billed. “Rig Voyage” was a pretty interesting look at the content of his current hardware setup and some notes about the equipment he started his career with. “Building a song” was a nice, if quite short, version of something he also does in the show but with a simple narration that helps follow along with the technique. It is also the only video on the disc that is shot in widescreen but unfortunately is inexplicably fairly grainy. There are also a couple of small audio glitches that almost ruin the clip. I’m not sure if those are from the source material or the disc mastering but I actually went to the trouble of verifying it on several players and machines and they were present every single time. “Studio Interview” is a pretty good interview with Thomas Dolby talking about his careers in music, business, and family and manages to not quite say anything concrete about where he plans to go in the future except that there will be more music which is probably all that we really need to know at this point.

Besides the audio glitches in “Building a song” there are a couple of flaws in the mastering of the disc that make for some slight irritation with the packaging. When all of the extras are played, instead of returning to the menu the disc stops. On two of the players that I tried the disc on hitting Play after an extra finishing stopped the disc starts the “Concert (with intros)” track instead of bringing up the main menu which means an extra button press to get to that menu so you can see something else. I also found the low end of the sound to be a bit spotty sometimes making my subwoofers do their jobs and other times sounding decidedly empty in that range. Still, I’ve certainly seen worse and the disc as a whole is functional if more rough than I had expected.

There’s plenty here for a fan, and it’s probably worth watching for someone into electronic music and/or 80′s pop, but if you don’t count yourself in any of those groups I can’t see it keeping your interest.

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But only a little guilty…

As a birthday present for my sister this year I got tickets for her and I to go see the Barenaked Ladies play at the Xcel Center in St Paul last night. The show was pretty good, though I have to admit that I was a bit more excited about (and happy at the performance of) the opening act than I was was of the headliner. Mike Doughty was in fine form and did a great job warming up the crowd with some of his solo work as well as a couple of Soul Coughing tunes, though no one sitting near us really seemed to know who the heck he was. I really need to make more of an effort to see him do his own show the next time he’s in town.

Anyway, Barenaked Ladies also had a very good show and I did enjoy it very much. My sister and I have had an on-going strong discussion (because it’s not serious enough to be an argument) about whether BNL was as fun on stage as their fellow Torontans, er, Toronto-ans, um, band from Toronto Moxy Fruvous. Well BNL does a good show, but they’re nothing close to Moxy Fruvous on stage. Definitely fun, don’t get me wrong, but not nearly the quantity of digressions, ad-libs, and other wacky types of stuff that happens at a Moxy Fruvous show.

They also didn’t sing any songs in French. What kind of Canadian band is that, eh? ;-P

The really cool part of the show for me though was that while perusing the merchandise table prior to the show they had a sign up the “Barenaked on a Stick LIVE!” USB key for $25. The details are this: They record the entire show off of the boards and dump it to an MP3 file. They they copy that MP3 file and a PDF with the set list off to fifty USB keys and hand them out as soon as duplication is complete after the show. The two very, very tiny little issues that I have with this:

  1. There is exactly one MP3 file that has the entire show so it can be a bit unwieldly to listen to. So I’ve spent a bit of time today listening to the file in Audacity and spliting out tracks as I come to them. (Thus the post title…)
  2. It doesn’t include the opening act. Completely understandable but it would have been nice.

Overall it’s a really cool idea and it’s been fun to listen to. I’m trying to decide if it’s a good idea to get the albums they have available in this form or not though.

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Strike 3! …4! …5! …

Further issues with the Zune software:

  • No dynamic play lists. While I occasionally will listen to a particular album or artist, my primary method of listening to music is a modified shuffle of the entire library, slightly culled by dropping any tracks that I’ve played in the last 1-3 weeks (My full library at home gets 3 weeks, my smaller library at work gets 1 week). This means that I really do often hear stuff that I haven’t heard lately which usually makes up for the other quirks in the default shuffle play systems of both iTunes and any version of Windows Media Player I’ve toyed around with.
  • Media updates will stop playback of that media. So after figuring I would at least try and listen to something in the interface, despite the aforementioned lack of dynamic playlists, so I queued up a recently acquired album (You Are Here by Banco de Gaia, which is really quite good world beat electronica) and started listening. Six minutes into the first track (which clocks at nine minutes and 15 seconds) the music suddenly stops. Somewhat mystified I pull up the player and notice a little banner at the bottom saying “Updating You Are Here…” or something similar. While that banner was displayed I could queue up other music, but not the one that was being updated. Again, iTunes and Windows Media Player don’t have this issue.
  • Does not minimize to system tray. I tend to keep a lot of windows open while I am working during the day and so being able to remove one item from the taskbar to reduce clutter actually makes quite a difference to me. Unlike iTunes and Windows Media Player, I cannot find a single option that allows me to minimize to the system tray.

I think the strangest thing about all of those points is that otherwise the interface looks and behaves almost identical to Windows Media Player 11, which I spent a fair bit of time playing around with over the past couple of weeks. Playback works okay and audio quality isn’t an issue that I can tell, but I see absolutely no compelling reasons to keep this installed on my computer.
I had also honestly been considering the possibility of getting a Zune, but until at least the minimize and dynamic playlist issues are fixed it’s just not an option for me.

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Live in Switzerland

I just finished my third listen through of the new live album from Mama Digdown’s Brass Band, titled “Ascona”.

I think my only complaint with the album is that it is kind of front loaded. I usually don’t have quite this much trouble remembering what I just heard after the middle of the album when I listen to it straight through. The early tracks on the album are really, really incredibly good and the last half of the album is only really good but for some reason slightly less memorable.

Still, excellent listening for anyone who enjoys Second-Line Brass Bands or New Orleans style Brass Bands, whichever we are calling them this week, and actually a decent introduction to this style of music if you have any interest in finding out more. Mama Digdown’s has consistently been more easily progressive than some of the more adventurous bands like Rebirth Brass Band or Youngblood Brass Band. I think part of that is, as a friend put it after listening to Youngblood’s “Center. Level. Roar.”, that Mama Digdown’s is consistently more “tight” than many of the other bands doing relatively similar music. (Though, come to think of it, I don’t think I’ve asked him to give Mama Digdown’s a listen so I don’t know that he’d agree with this assessment.)

The “tight” component of this style of music I find to almost be related to how much hip-hop influence is present. The more hip-hop influence the less “tight”, or really loose I suppose, and when it really works the song sounds like an utterly beautiful accident. A sort of musical embodiment of serendipity. The problem is that when it doesn’t work the song can sound just plain sloppy. As much as I really enjoy hearing them and think they are a pretty decent local party band, Jack Brass Band can kind of epitomize the sometimes heard habit of letting the lack of talent be heard as that lack of being “tight” and really what keeps them from being really good. A hard line to walk some times and I think going for “tight” first and then working for the “loose” sound is a generally better plan.

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New web toy

I’m playing with a new music social network web toy right now called Qloud. It’s very similar to Last.fm which I have been playing with for a couple of years now, but in some ways the service might have a better outlook.

So far the service is pretty rough. Searching from the main page can be painful. The interface is… difficult. The iTunes plug-in needs some very serious work (Advice: Whatever you do, try not to accidentally put a ‘\’ in any of your tags. I can’t use the plug-in at work anymore because I’ve got a tag with that in it and it crashes iTunes withing seconds of launching and there does not appear to be any way to remove tags outside the plug-in.). The track information database they have is problematic with some tracks having entirely wrong attributions, many albums not existing at all, no way to input new information, and horrible handling of non-english character sets.

But it’s interesting and different, and has some potential.

If you do decide to take a spin with it, sign up using this link and I get points for the referral.

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Lively recording

One of my most favorite local artists is Nachito Herrera. His consummate skill and amazing talent just blow me away whenever I get to hear his work.

Case in point: I’m listening to “West Side Latin Jazz” from Live at the Dakota Vol. 2. The level of energy that so fully saturates every single note of the song is striking, but is almost nothing compared to the layers of texture that make this song almost the anti-thesis of saccharine. One of the elements of latin jazz that has always drawn me is the use of multiple percussion instruments. So hearing Shai Hayo on timbales (?) and Gordy Knudtson on the more usual drum set throwing around their increasingly more frenetic variations of the main theme in the alternating percussion solos near the end of the track is just pure heaven.

Besides, how can you not like a form of music that takes the cowbell seriously.

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Is it Mr?

[Listening to: Magoo by Drums and Tuba from the album Mostly Ape]

I don’t think I’ve posted recently about how much I like the band Drums and Tuba. I’m reminded of it since the track Magoo from the album Mostly Ape came up in my usual shuffle mode listening. Finding myself typing in time to the music while writing some code is kind of an odd experience. It is exactly the sort of song that grabs hold of your lizard brain and begins to reprogram you to move and breathe in it’s own time until the first horn solo comes through and sets you free to figure out what the hell is going on before the capturing riffs come back just like a fairytale piper to lead you back out of your own head.

While quite a bit of D&T’s music can be quite impenetrable to those who don’t like to be challenged in their music listening, this track in particular shows off exactly how well composed, challenging, and yet so incredibly listenable their music can be.

Experimental? Hell yes. But approachable. Appreciable.

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New Google Talk Client

Google released a new version of their Google Talk client today, and it’s got some fun new stuff in it. Honestly I have actually been preferring gTalk to the other networks for awhile, which is apparently somewhat unusual. Primarily this is for two reasons:

  1. Small, compact, clean looking client.
  2. Centralized chat history.

The big one was always #2 by a long shot. There used to be a service (That I can’t even remember the name of unfortunately) that performed the same service for the other IM networks by having you configure your clients to point at their proxy server. Seeing gTalk have that feature right out of the gate made me a fan instantly, and the interface has always been nice and simple over the, IMHO, hideously over cluttered MSN, Yahoo, and AIM clients that I’ve seen lately. That wasn’t actually so much of an issue necessarily because I was using Trillian anyway, but it was certainly a point in their favor.

Then the network admins where I work started blocking IM traffic that was not MSN and somehow missed gTalk. That made the use of Trillian at work pretty much pointless and I wasn’t really at my system at home often enough anymore to really care there so when the new MSN, er, Windows Live Messenger Beta started last spring I unloaded Trillian and played around with that, but left gTalk loaded. I certainly used it more than MSN when I could simply for the centralized chat logging.

When they introduced the interface with Gmail? Eh. I have it turned off but they have certainly been working on the system slowly but surely and the new release really shows that well.

The feature that I’m, oddly, most happy about in the new release? Music history. They finally picked up a feature that other players have had for awhile to display your currently playing music as a status message. The thing they are doing different however, is sending that information back to their servers where it shows up in your personalized search history.

As a religious user of scrobbler clients to upload my playlist data to last.fm for the past couple of years I am really excited to see another service dabbling in this space. Like Last.FM, they will be showing aggregate information on the Music Trends page which I have yet to locate. Unlike Last.FM your personal history is in your personalized search history and I haven’t seen anything that says you can get external access to it.

However, given that I’ve been having trouble with the iScrobbler plug-in crashing out iTunes at home for the last six months or so this may finally let me pick up data logging at home again.

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Music in my ears

For some bizarre reason my installed version of WP Audioscrobbler stopped working some time in the last few days and after poking at it for a bit and doing some more looking, I ran across something better: Scrobbler

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