Recent reading

Between Alastair Reynolds and Charles Stross I have recently found two authors to look into, one pretty successfully and the other who had a free ebook of his first novel.

First is Linda Nagata who Alastair Reynolds lauded/blamed for several of the ideas in his early work on his blog nearly two months ago. So far I’ve gotten through her first two novels and am enjoying them quite a bit. “Tech-Heaven” was enjoyable even with the somewhat dated technology prognostication. I did spend a fair amount of the book trying to figure out just how much of a cryonics booster the author was and to her credit never quite figured it out, though it sure seemed to come down a fair bit on the positive side much of the time.

While figuring out which book of Ms Nagata’s to start with I ran across her twitter account where she had mentioned that one of my favorite author’s (who I had basically lost track of in the last few years), Martha Wells, had recently published “The Cloud Roads“. As usual for her writing, it caught my attention enough that I ended up spending time with it rather then venturing from my hotel and exploring Niagara Falls and it’s environs. Excellent world, great characters, and a well threaded plot made for a fun read.

After that it was back to Linda Nagata for “The Bohr Maker“. While “Tech-Heaven” had been somewhat obviously a first novel, “The Bohr Maker” is from an obviously more experienced author. The characters were more fleshed out and it read more smoothly with less to distract me into thinking about what the author’s motives where. I’m still not sure I could recommend it to my friends that prefer character relationships to world-building, but it’s certainly at least worth a look.

I had purchased both “Tech-Heaven” and “The Bohr Maker” through the store on my Barnes & Noble Nook Color but had seen Linda Nagata flogging Book View Cafe pretty hard in her twitter stream and figured I’d give that a try for the next novel in The Nanotech Succession, “Deception Well“. I haven’t cracked the cover quite yet, but I’m looking forward to it.

However I haven’t decided if I’m going to start that first or try Karl Schroeder‘s “Ventus”. He has been doing some guest writing on Charles Stross’ blog for the past couple of weeks and has been more then interesting enough to take a look at, and who am I to turn down a free book in the process.

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The Robot Adventure

Last week I attended BrickWorld Chicago 2011 and had a great time. Unlike last year however, J and the kids (M and K) were not able to join me for various reasons. Disappointed that he was not able to go, M (age 7) insisted that one of his LEGO MOCs (based heavily on something from a Space Police III set) go with me on the trip to hang out in the Micropolis layout. I imagine his reasoning was that if he couldn’t attend, at least one of the creations that he imbues so abundantly with personality would be able to do so and would be the next best thing. I thought of it as M sending along an avatar and decided that “Robot”, as M called him, would get to have an adventure.

The rest of this post is a collection of the updates I sent to Twitter and TwitPic saved here primarily for later nostalgic purposes though I may insert some additional commentary along the way. A comment about the photography: I am not a great photographer and was shooting all of this on my HTC HD7 smartphone, most one-handed, in highly variable lighting. Any blurriness, odd angles, bad lighting, or general bad image quality can be explained by the preceding note.





At least it’s trying to help…
At least it's trying to be helpful...
@Cavorter
Nathan Stohlmann


When I pack the quarter block Micropolis modules I tend to take the tall spindly things off before they come off in the bag in more pieces then I would like. Most of the process of assembling the city is taking items out of their containers and doing that big of reassembly. In the case of the water tower module, it’s just easier to pop off the water tower.


Or maybe not so helpful…
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Nathan Stohlmann


I had already decided that Robot may not always be a nice creature. Posing him for this one was kind of fun.


I swear this was the robot honey!
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Nathan Stohlmann


The Cathedral needed more help then I was thinking it would have. This is J’s latest build, and possibly one of her best. In particular the stained glass windows are pretty spectacular. I imagine we’ll have pictures up elsewhere eventually.


The robot has an appointment at the DEA Headquarters.
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Nathan Stohlmann


One of the best things about Micropolis is that we always exhort other people to bring their own modules to contribute to the layout. The layout is primarily populated with TwinLUG modules but only because we build the most of them so far. So it’s always nice to see stuff that other people bring. This module in particular is based on the actual DEA headquarters building which Michael Harrod brought this year. Michael hung out for quite a bit of the weekend and helped keep an eye on the layout that was much appreciated.


@ He’s taking a nap in my pocket.
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Nathan Stohlmann


J had asked where Robot was the next day in her Twitter stream, so I kept this reply in the stream for reference. It was a good reminder to get it out again and start taking more pictures.


Robot likes the look of my almond cookie.
@Cavorter
Nathan Stohlmann


The Westin Chicago North Shore has a couple of really good restaurants in it. Not too long after answering J’s question I was thankfully dragged to lunch at one of those restaurants by A and Other J. I got what turned out to be a modern western interpretation of a bento box, which came with a nice almond cookie. J’s earlier question had got Robot back in my mind so I figured it would be best to start playing around again. Later I decided that Robot probably doesn’t eat human food, but at this point I had not thought that far ahead.


Robot is sated from all the edamame.
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Nathan Stohlmann


These last two also kind of epitomize the classic kinds of photos on Twitter: food people are about to eat and weird avatars.


Robot surveys the city. Is thinking he might want to travel a bit yet this weekend.
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Nathan Stohlmann





Robot has always wanted to see the Eifel Tower.
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Nathan Stohlmann


FYI – That Eiffel Tower is as tall as I am. Better photo of it, along with the back of my head.


Robot wonders if it’s old enough to drive a lightcycle.
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Nathan Stohlmann


Lightcycles built by Chris Doyle of ReasonablyClever.com.


Robot finds melodrama incomprehensible.
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Nathan Stohlmann


Chris also used these MicroFigs in his Brick House web comic.


Robot thinks living underwater would be fun.
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Nathan Stohlmann


I tried a few different shots with Robot of this one but eventually settled on this. There was really an amazing amount of activity going on, just too much to really capture it all.


Robot did not find the M:Tron people to be very friendly.
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Nathan Stohlmann


I grew up on Classic Space and got out of LEGO just about the time that M:Tron was being introduced. Blacktron I loved, with the stark black and little bits of yellow for highlights. M:Tron always seemed too garish. That said there was a lot to like in this layout. There was some really cool parts usage and generally good building techniques. I just wish it could have been a better theme. :-)


Robot would like it known that it did not run away immediately. (It was too scared to run).
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Nathan Stohlmann


The best thing about this build is the color scheme. Everything is greyscale except for some very specific colors in very specific locations. It’s a fantastic build and rightfully nominated for best creature..


Robot found a spot to see many places all at once!
@Cavorter
Nathan Stohlmann


Arthur Gugick is well known for his architecture builds, and his mosaics. He is always up for one or two awards and actually got the Master Builder award this year, which was well deserved. I’ve had a chance to get to know him a bit over the last two conventions and can say that he’s great to hang out with and was one of the people involved in the late night emergency mosaic speed build.


Robot thinks the native Americans throw great parties.
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Nathan Stohlmann


A fun build by TwinLUG member Lisa Parker. She had to mod some parts to get the La Crosse sticks to work right, but I think it might have been worth it.


Robot really enjoyed visiting the future.
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Nathan Stohlmann


This is the amazing Utopolis by Michael Labelle. I had several great conversations with him, and hopefully he’ll have a Micropolis module built for BrickFete!


Looks like Robot got back to the room pretty late last night.
@Cavorter
Nathan Stohlmann


There had been quite a bit of drinking the previous evening, some of which had inspired the previously mentioned mosaic speed build though no one involved had been drinking from what I remember. Seemed reasonable that Robot had probably imbibed as well. It’s entirely possible that this experience is what turned him off all organic foods in the future.


Robot is proving itself useful for checking the room before we leave.
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Nathan Stohlmann


Yes, the original tweet had a typo. Thus, the advantage of editing.


Robot is taking a moment to check in with his famous new friends.
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Nathan Stohlmann


Marc-Andre Bazergui does some really amazing Mindstorms creations, though his most famous are probably his Wall-E reproductions.


Robot hopes that the good guys win.
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Nathan Stohlmann


The Lord of the Rings group layout was probably the second largest, after the Norther Illinois LEGO Train Club’s usual huge collaboration, and contained a good variety of MOCs from lots of different builders. There are better builds then Minas Tirith (The White City), but it made for a good shot with the army massed outside it. The guy who had built Khazad-dûm had apologized for being the likely reason that it had been so difficult to find the roof parts for J’s Cathedral this past spring.


Robot got a little dizzy riding the rides.
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Nathan Stohlmann





Robot found some new friends that remind him of home.
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Nathan Stohlmann


This one was entirely for M. It’s exactly the kind of thing he builds, and these will probably be the level that he’ll be building in about 10 years.


Robot thinks he may have found a faster way home.
@Cavorter
Nathan Stohlmann





Robot got bored and decided to try skydiving.
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Nathan Stohlmann


The crowds had started to thin out a bit and I was looking forward to the end of the public hours. In other words: Time to goof off.


Robot thinks the car is -very- full.
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Nathan Stohlmann


I had wanted to do some pictures of Robot helping to pack up but we just didn’t have time. Public hours ended at 3pm and we had to have EVERYTHING packed and out by 4pm so that they could put in chairs for closing ceremonies. We got it done, and with time to spare, but there was absolutely no time for taking photos of the process. I was pretty amazed though that I was able to get everything into the car. I had made a few purchases (not more then a few thousand pieces. Well, not very much more then 10,000 pieces…) so the car that had been very full on the way to the convention was even more full on the way back.


Robot unfortunately agrees: Clown-Bot 6 isn’t very funny.
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Nathan Stohlmann


This build is my Dirty Buildster entry that was titled, “ClownBot number 6 was never really very funny.” It’s not a great build, but I wanted to have at least one photo of it.


Robot is glad to going home, but is sad the convention is over.
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Nathan Stohlmann


Taken from across the street after the traditional TwinLUG post-convention dinner. This year Buca was full so we ended up at the RAM.


Robot thinks waiting for a train is boring. Would rather be buying liquids for organic friends.
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Nathan Stohlmann


Madison has a problem with their transit design in that a fairly busy freight rail runs right through the middle of downtown. Granted, building the city on an isthmus makes for limited options, but it can be irritating getting stuck.


Robot thinks that @‘s eyes may be bigger then his car.
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Nathan Stohlmann


My sister Rachel pointed out that Robot does not actually appear in this image. It was just starting to rain so I wanted to get into the car relatively quickly _and_ somehow load the soda somewhere into the relatively full vehicle, but Robot had been left in the car. Rather then risk getting soaked I just took the picture without him. Hopefully it didn’t feel too left out.
In my own defense I had not been intending to buy three cases of soda, just one. When I arrived at Cost Plus World Market in Madison is when I found out that Bundaberg had released three new flavors at which point my path was clear. I was disappointed I was not able to get a case of the Guava as well as the Blood Orange and the Pink Grapefruit.


Robot is just fine sitting around and watching @ do all of the unpacking.
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Nathan Stohlmann





Robot is overjoyed to be home and has decided to take a long and overdue recharge.
@Cavorter
Nathan Stohlmann

I figured this was a relatively fitting end to the adventure and would allow for me to pick it up again later if the inspiration appeared. If I do then Robot is likely to get his own blog and Twitter account. I do have some ideas of where I could go with this, and at the very least I do have BrickFete in just a month, so we’ll just have to see what happens.

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Pie Test

Just a post to test a new plug-in. This should include a tweet from my account…

Verdict on Heroica: Pretty decent, but needs serious rules tweaks. ForEx: Big monsters need more health. Need reward for killing monsters.
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Nathan Stohlmann
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Playing with settings

Part of the fun of helping friends host their own blogs is that I get to try out all the new stuff on my blog first. :-) So pretty much nothing to see here really, just mostly functional testing for some Twitter integration and checking some other settings.

Update! Oh, right forgot to test these too: @cavorter @sigridellis

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A Snowy Morning Antidote

I’m pretty sure I’m not alone in having occasionally experienced a time when hitting shuffle on one’s music collection, or some subset that fits onto your portable device of choice, just seems to work really well for the mood or circumstances you are currently in. This morning I have had one of those experiences and I thought I’d put it down for posterity. Right at this moment it feels like exactly the right antidote to having sat in traffic for an hour to get to work.

  1. Semisonic – Who’s Stopping You – All About Chemistry
  2. Tosca – Session 7: Song – Dehli9
  3. The Guggenheim Grotto – Fee Da Da Dee – Happy the Man
  4. Peter Mayer – Harry the Pharoah – Novelties
  5. Cafe Accordion Orchestra – Velma From Selma – Live!
  6. They Might Be Giants – The Mesopotamians – The Else
  7. Afro Celt Sound System – North – Volume 3: Further in Time
  8. The Dave Brubeck Quartet – Three to Get Ready – Time Out
  9. Glee Cast – Keep Holding On – Glee: The Music, Volume 1
  10. Sufjan Stevens – Chicago – Illinois
  11. Baka Beyond – Mbé – Journey Between
  12. They Might Be Giants – Pencil Rain – Then: The Earlier Years
  13. Martyn Bennett – Stream – Martyn Bennett

There has since been quite a bit more that’s worked pretty well but I figured I had to cut it off somewhere.

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My Gaming in 2010 (Part 2): Xbox

(Read Part 1 here)

My Xbox 360(s) are where I spent a large portion of my gaming time this year, and the platform continues to provide me with a lot of entertainment for the money I invest in it. According to my count I played 57 different games on the Xbox this year. Granted, I didn’t spent a lot of time on all of them but I do remember the experience with most of them distinctly and fondly. LEGO Indiana Jones 2 and LEGO Harry Potter were the usual kind of fun. Lazy Raiders and Lara Croft had a couple surprising points of similarity while being utterly different and very entertaining. Spending time supervising the kids while they messed around in Tower Blocks Deluxe, Kung Fu Panda, LEGO Indy 2, LEGO Rock Band, and We’re In The Movies was almost always a good time as long as we didn’t get too competitive. There are a few though that really stood out more then the others.

Being a long time racing game fan I had been looking forward to both Blur and Split/Second. So, along with the rest of the racing fans, was both thrilled and disappointed that they would be released right on top of each other. The good part was that there were going to be some obviously excellent racing games available for us this year, but the down side was that the social component of both of them was going to suffer since they appealed to essentially the same audience. Not everyone was going to be able to afford to buy both and then we certainly couldn’t play them at the same time. At first Blur was my favorite. The multi-player demo offered early in the year played smoothly and provided a great introduction to the game that really whet my appetite for more. However when the game did arrive the only good part was everything that was present in that demo and the single-player parts of the game were simply awful. Split/Second also had a demo before release and it certainly had some spectacular visuals but the gameplay felt somewhat slow and unresponsive which is exactly what you do NOT want in a racing game like this. It should be wall-to-wall adrenaline. When the full game for arrived though it was obvious that the demo had been only the very tip of the iceberg. With lots of game modes (many of which are actually fun to play), plenty of very entertaining tracks, a really good single player progression, and adequate but fun online play it was worth much more of my time. I still haven’t quite gotten gold in every single event, and I don’t have the chance to play online as much as I would like to, but if you have to decide between the two it should be a pretty easy choice. To be clear, I would not call Blur a bad game but if you don’t play online it’s a complete waste of time and money.

The most enjoyable amount of social time I spent playing a game this year was with the critical darling Limbo. The social aspect was a bit unexpected given that Limbo is a decidedly single-player game. There are no online options, other then a fairly half-assed leaderboard, but what it did provide was some hours to spend time with my partner J while we worked through the puzzles together. Heck, she even took the gamepad a few times and on one particular section was the only one who could get us through it. This isn’t surprising in the “A girl was playing Xbox!” sense, so much as it was surprising in the “J managed to get over her distaste for the complexity of the Xbox gamepad!” sense and along with the shared experience of watching that little boy die over, and over, and over, and over while we did the best we could to move him to the end punctuated with those ecstatic moments of success while solving a particular section it was some of the best time I spent with her this year. Even if the game wasn’t one of the best games I have ever played, and it is, and if the visual style just by itself wasn’t worth giving it a try, which it also is, and if the genuine moments of terror, fear, and despair engendered by the game were possibly the best emotional moments I’ve ever seen in a game, and again they were, the experience was worth it to be on the couch next to her and doing it all together.

The video game that I played with other people the most however was somewhat expectedly Rock Band 2 and 3. I have a preference for the Rock Band series of games over the Guitar Hero games that I have never quite bothered to figure out and so this year’s release of Rock Band 3 was something that I had budgeted for, especially with the addition of the new keyboard parts and associated peripherals. After a friend who played with us regularly had tried the keyboard she decided she wanted to be able to play at home and so it was nice to be able to sell off one of my old Xbox 360′s to her and replace it with one of the new 360 S consoles in the living room. We haven’t been able to play online together as much as I would like but it is a lot of fun hearing about her regular improvement in the world leaderboards on the Pro Keyboard song parts. I do have some mixed feelings about Rock Band 3. I think that the new deconstructed interface is almost ideal. I can work on challenges or sets or pretty much whatever and it’s really easy to do so with whoever I want to play with. Additionally making it really easy to find the music that I want to play out of four years of track packs and DLC is somewhat of a miracle. However I don’t find that I want to play Rock Band 3 by myself the way that I did with LEGO Rock Band or even some of the earlier titles. At the same time that they have made the game pretty much the ideal version of what it needs to be I just don’t find that I’m interested in it as a single player game anymore, and that’s too bad. Additionally I find it disappointing that there does not appear to be a way to use a MIDI bass guitar for the Pro Bass parts and playing them on the upcoming Pro Guitar peripheral just doesn’t sound as interesting. It is still a great game and will likely provide plenty of fun for me and my friends of the next couple of years and that’s something I have found hard to get in videogames.

My biggest disappointment of the year was playing Midnight Club: Los Angeles. I had an interval in the spring where I really wanted to play a new racing game. I had gotten pretty much everything I wanted out Burnout Paradise and Need For Speed: Shift just hadn’t kept my attention so it was time to look around for what else was out there. Looking around MC:LA seemed like a fairly good bet given the reviews I had found so I decided to give it a try. The first 80 hours I put into the game were fantastic. The open world environment was well put together with enough shortcuts and not too much traffic. The density of police was a bit higher then I would like, but it just made it a reasonable challenge instead of being too easy. The cars had enough differences to be noticeable and their variety was pretty good. The ability to really customize the vehicles visually fairly easily was a nice bonus and I found myself taking a surprising amount of time getting the look exactly the way I wanted it. The career progression was very well done with enough challenge to require some work but not enough to discourage me from trying the same race sometimes ten times before I was finally able to win them along with easy ways to go find an easy race I could just blow through when the urge struck me. So if the game was this good why did I stop playing suddenly on April 11th and never put the disc back in? One word: Bigotry. While you are participating in single player races the computer opponents will trash talk. The implementation is really pretty impressive with distinct personalities and well recorded voice-overs for all of it and just enough variety that it only gets mildly repetitive. However I was getting to the end of the single-player career and I ran into a particular opponent who’s entire set of trash talk consisted of homosexual and gender slurs. The first time through that race it was irritating, but I figured it was somewhat of a fluke or that I had misheard some of it. The second time I quit the race and moved on to some other events while I thought about it. The third time, I turned off the console. It’s unfortunate but when I’m playing online and run into idiots that use the word “faggot” like punctuation or think they’re funny for thinking it’s demeaning that a female might be a better player then others (even when there are other females playing and beating them while they are saying it) at least in that case I have tools at hand to do something about it. I can say something, I can mute them, I can even report them to the enforcement team but with a game I don’t have any of those options. I have already given the company that produced the game my money and there is no reasonable return policy on software (slightly understandably) so there is effectively nothing I can do about it. Heck, it’s even taken me eight months to be able to explain adequately exactly what the problem is in this kind of detail. The weird thing? I couldn’t find anyone online even mentioning it. I had expected that at least some of the gay gamer folks would have mentioned it somewhere, but there has apparently been complete silence about it and in some ways that was the most disappointing part. I still wonder about my decision to stop playing: It’s a great game and I would really like to finish it up, but I have to wonder what else is in there that I haven’t heard yet that just shouldn’t exist in a game at this point in time.

The big surprise for me though was a game called Just Cause 2. I had not initially been very interested in the game when it was released since I don’t really like Grand Theft Auto very much and this game was very much in that same mold. However the more I read about it the more it sounded like it might be fun, and so when Best Buy sent me a coupon for $20 off and when combined with some Reward certificates the price came down to $10 I figured I’d give it a try. The in game clock tells me that I’ve spent 111 hours running around the fictional third world country known as Panau and I think I’ve enjoyed almost all of it. The story is silly but fun. The voice acting is well done. The visuals are jaw dropping. But it is the game play that keeps me coming back over and over. I completed the storyline back in October and since then I have progressed past 75% completion for the entire game and it is still possible that I might try for 100% of the thousands and thousands of collectibles and liberating the hundreds of communities by blowing things up. My only problem is that I just can’t seem to get the hang of flying planes in the game. I don’t know if it’s me or the controls but I just can’t seem to keep them flying level enough or turn quickly enough to complete most of the races that require them and so that is probably where I’ll have to call it quits. Until then I’m sure I’ll spend a few more frigid winter days under the tropical sun.

The last of the Xbox games worth mentioning is Need for Speed: Hot Pursuit. Made by the same group that created one of my other favorite racing games, Burnout Paradise, it has just about everything required for a great racing game. While it has something like power-ups, they don’t feel nearly as gimmicky or unbalancing as the ones in Blur, and the primary Police vs Racers theme makes for a constantly changing and constantly challenging game that is just as fun to play single player as it is online. If you can find some other people to put on your friends list, the integration with their progress in the game makes for a constant stream of new things to do. All told, it’s a very good game. Unfortunately it doesn’t feel like it has quite the soul that their previous games had. It’s all really well executed and you can tell that they put a lot of work and polish into the game, but for all of that it still feels kind of hollow. I’m not sure why that is and it’s obvious enough to be slightly disappointing. Still, definitely worth playing.

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My Gaming in 2010 (Part 1)

I had a good year in 2010 on a number of fronts, and gaming in particular. I’ve been reading all of the retrospectives in the video gaming press and the idea certainly seems to have caught in my head, so I figured I’d try and put it to words rather then let it fester. I got about half way into writing this and decided to split it up over a few posts. In his post I’ll cover the intro and PC and web gaming. Subsequent posts will cover Xbox and mobile gaming.

This year I played video games on the Web, Microsoft Windows, Microsoft Xbox 360, Microsoft Zune HD, Palm Pre, Nintendio DSi, Microsoft Kinect, Microsoft Windows Phone 7 on HTC HD7, Nook Color, and at the dining room table.

Reading that list it is more obvious then ever that I’m really heavily invested in the Microsoft eco-system of products and I’m happy to say that this year really feels like Microsoft tried harder then any year in recent memory to make that worth my while. That is certainly not to say that they don’t have a long way to go on a lot of fronts: Why can I not “Play To” an Xbox 360 directly from a Zune HD, any WP7 device, or any of the other Windows boxes on my network? Why doesn’t the Zune interface on the 360 allow for local media playback? Why don’t my “hearts” in Zune persist across all interfaces? Among MANY other weird little missing bits. Still it does all work together pretty well and I’m fairly happy with it. But back to gaming…

PC gaming this year fell somewhat by the wayside. It’s been something that I’ve been doing a bit less and less of over the years but this year in particular really seems to have taken a big step back. I played a few fun little “casual” games, most of which I don’t really remember but I only played two “AAA” games on my PC this year and one lower tier MMO and I didn’t really do much with any of them. Those three in particular were Dragon Age, World of Warcraft: Cataclysm, and LEGO Universe. All of them are great games. They have oodles of fairly interesting content, are open to several different types of play, and generally look stunning but with all of them my interest just waned over time. I do still intend to finish the main storyline of Dragon Age, but I think I’ll be cancelling my WoW subscription again this afternoon and I’ have pre-payed for LEGO Universe through the end of the year but I just don’t know how much time I’ll be spending logged into it. Part of the problem is that I can not quite put my finger on what precisely about these games doesn’t hold my attention. Is it that they are too big and so I don’t quite feel like I’m getting far enough fast enough? Or is it related to a similar theme in my fiction reading where I’m just not interested in fantasy environments anymore but still have fun with Science Fiction settings? But if that was the case, why didn’t LEGO Universe have more attraction for me over the long term?

Some casual games on the PC that did stand out this year are all PopCap properties: I continued to play Plants Vs Zombies occasionally and both Zuma’s Revenge and Bejeweled 3 were released this year and managed to soak quite a few hours but after the initial time spent on them they have joined the collection of icons in the start menu that I tend not to think too much about. The game that I played the most on the PC for the umpteenth year in a row? Minesweeper.

LEGO Universe probably deserves a few more words from me. I was in the open beta for most of the summer and so I’ve seen it progress from a seriously buggy game to a fairly fun romp through a simplified MMO universe. Is it great? Well…. no. But it is fun and there is plenty there for people who want to spend the time in it. For me though I don’t find building in LU to be worth the effort when I could be doing the same sort of building in LDD or MLCAD and be able to share those creations with a whole lot more people. The animation options in LU do make it a bit of a different experience, but I got to do many of the same things in LEGO Indiana Jones 2 on the Xbox and I got Achievements for my Xbox Gamertag for doing it. I think I might show it to K and maybe M later this year and see what they think but without a solid social lure with people I know playing it I just don’t think it’s something I’ll be spending a lot of time with.

Games on the web suffered somewhat similar fates where I spend some time on them initially and after not too much time just stop playing them. Echo Bazaar (sometimes called “Fallen London”) held my attention for a good few weeks and was a lot of fun while I was still playing it. It’s still fun to see tweets from my friends when they re-light their candles. If you are looking for a Facebook style of game without having to deal with Facebook, it is absolutely worth a look. The other web game that I can remember is one I finally got around to in the last couple of weeks of the year: Zuma Blitz. I spent some time in 2009 exploring apps on Facebook and was generally unimpressed. I tried Bejeweled Blitz earlier this year and thought it was decent but it also didn’t hold my attention. So far Zuma Blitz is about at the point where I expect that my interest might either continue at the current level (where I pull it up a couple times a week) or decline to nothing and I think I would be happy with either of those options. However, I think if PopCap released a PC or Xbox native version of the game I might stick with it a lot longer. Not saying that I’ll spend any money on the game, but it certainly is tempting some days.

(Read Part 2 here)

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I retired two devices this week

For about the past year I have been using two particular devices for my communications and personal entertainment desires. This week I am retiring both of them. One of them was sleek and sexy and knew all the right buzzwords to whisper at just the right times. It was slick and looked really nice when it was all decked out but had a nasty tendency to be temperamental when I most needed it. I’ll always love part of it, and I already miss the way it knew how I wanted to use it. The other was a solid and dependable friend which definitely had some high moments but mostly was just there when I needed it quietly getting stuff done.

I do think it’s a bit odd to describe my time with these devices in terms that I might also use to describe my personal relationships with partners, but in many ways that is not an in accurate way of looking at their place in my life. I have a need for a certain amount of personal time in my life and the way that I tend to fill that time is by interacting with the objects that I fill my life with. I do find this to be a somewhat mixed thing. I don’t like thinking of myself as someone to whom stuff matters. To be more honest though there is my large LEGO collection, my King 2280s Euphonium and Reynolds American Baritone, my SF and Fantasy books, my comics, and then there is all of this Tech: Computers, game consoles, phones, and all of the dozens of little gadgets that I interact with all of the time. I have a lot of stuff and so it is not surprising that the two items that I spend the most time with I have a certain emotional attachment to and thus anthropomorphize to some extent.

I bought my Zune HD about one year and two weeks ago. My existing Zune 30 (in classic brown!) was no longer keeping a charge after having been used at least eight hours a day for three years solid. (It turns out it just needed a vacation. I recently plugged it in to see what would happen and it’s working pretty much just fine again.) I was already invested in the Zune ecosystem and so the relatively new Zune HD was the obvious choice to move on to. At first I wasn’t sold on the touch interface. It didn’t seem like it would be able to keep up with how I used devices and the lack of physical buttons for common task didn’t seem to be entirely wise. I was at least half right, but not in the distrust for the touch interface. That turned out to be intuitive and effective, both in being fast enough and well thought out so that it was just pretty easy to do the things I wanted to do. The physical buttons did turn out to be an issue however. For those of you unfamiliar with a Zune HD, there are exactly three buttons: Power on the top, Return to Main Menu on the front, and something best described as Show Controls on the left side. It was that third button that was really the problem in the long term and it has everything to do with being able to quickly do things like pause playback or adjust volume control. Having to hit that single button and then wait for the controls to appear and then look at the screen to make sure I was hitting the correct part of the screen meant the difference between being able to quickly start talking to people who stepped into my cube and holding up a finger to let them know it was going to be a second or two while I put something away. It was a nuisance and it was the worst part of the device but I did get used to it and it did work well enough and did not detract enough from the rest of the experience to spoil it.

About six weeks later I had finally had enough of dealing with an older hand-me-down Windows Mobile 5.x smartphone and wanted to spend a bonus from work on something fun, so I bought a Palm Pre from Sprint. I had played with it in the store a bit and had been following the somewhat bumpy launch pretty closely, but it did seem like the device best suited for me. I had played with various Android devices and just didn’t find that they worked the way I wanted them to. Constantly getting in the way or hiding the things in odd places they just seemed clunky and somewhat obtuse. The smooth and slightly rounded pebble of the Pre is still a beautiful shape and the smooth action of the keyboard slider honestly make for a somewhat sensual experience. The operating system, WebOS, itself though is where it really shined. I still think that the card metaphor and gesture system implemented in WebOS is the absolute best smartphone interface I have ever used, and possibly will ever use. It really is that good! Being able to manage running applications is absolutely effortless and actually makes sense. It’s almost perfect, even in the 1.x form that I used it. Alas, it was not always going to be such a great relationship.

I’m getting read to hand the Zune HD over to a new, and appreciative, owner. I can’t think of a time that it has let me down and I expect that it will continue to be a great and useful device for at least another year, if not two or even three. The same can not be said of that Pre. It started with not being able to find a case or screen protector that really worked. The sliding keyboard meant that a case had to be in at least two parts and ended up mostly being more weight and plastic instead of actually protecting anything. Those gorgeous rounded sides of the screen meant that any screen protector would come off in a stiff wind, much less being slid into a pocket, and those protectors were necessary because, unlike the Zune HD, that screen is all plastic and took a scratch if you looked at it funny. In late October I noticed that the screen just wasn’t being quite as responsive as it once had been and after carefully looking at it saw a crack starting. Right now that crack is one centimeter into the display after having worked it’s way over the side and displays noticeable flex when the keyboard is slid out. Without screen protectors the entire screen looks a bit like it’s been scoured with steel wool. No huge scratches but just seemingly millions of small ones. But it was that deceptively alluring sliding keyboard that turned out to be the fatal flaw.

Monday morning on my way to work I disconnected the power tether and got ready to put it in my pocket but the keyboard wasn’t responding at all. I power cycled it and everything was fine and didn’t really think about it. Monday afternoon I took it out of my pocket to look something up, and once again the keyboard was dead. Power Cycling didn’t work the first time, but did the second. That evening I went to a mall close to work to wait out traffic from a snow fall and when I went to Tweet that I had arrived somewhere safely the keyboard worked long enough to get into Yak but then took three power cycles to come back for about two minutes before it died again. When the person you are with stops talking with you the relationship is over no matter how much good will is left. So I went inside and bought an HTC HD7 running Windows Phone 7 from some nice people at the T-Mobile kiosk and I haven’t looked back since.

In less time and more careful use then the Zune HD, the Palm Pre super model with all the sexy curves looks like an octogenarian who spent far too much time in tanning beds when she was young and won’t talk to me anymore. The quietly dependable Zune HD that spent a lot of time in the same pocket as my keys (Where I never put the Pre) has some very minor scrapes on the bezel but an utterly pristine screen that I never bothered to put any sort of protective skin over. It boots up every time. The controls all still work perfectly. I still gets hours and hours of battery life. I’m going to miss her.

Why retire the dependable Zune HD? Pretty simply I do not see a need to carry around two devices anymore and the HD7 does 90% of the same things that my Zune does. It is also part of the Zune ecosystem and those things it doesn’t do I’m not certain I am going to miss. My big worry with the HD7 is that it is HUGE, and I have concerns that aspect could make it difficult to carry around but it fits in my pocket just fine and isn’t appreciably heavier then the Pre.

If I like WebOS so much why not get a Palm Pre 2? The two device issue mentioned previously is a big reason but the more important one is that I just don’t trust the build quality on the Palm devices anymore, and the Pre line in particular. A friend’s Palm Pixi is turning out to be an excellent little workhorse but I just can’t imagine they’ve solved the hardware problems on the Pre and don’t want to spend $500 a third year in a row next November when that one fails on me too. In theory I could do some sort of equipment replacement plan but right now the Pre 2 is only sold as an unlocked GSM device and my understanding is that carriers won’t offer a plan for those.

So, into the Windows Phone 7 future I go and hopefully this HD7 turns out to be more like the Zune HD then that beautiful Palm Pre.

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It never ends up like the magazine photo

I think that there is a truism in cooking that US media producers should keep in mind: It never ends up like the magazine photo. If you have ever done any amount of cooking you’ll know this fact, if not in those words. Even if the sum total of culinary creation you have indulged in extends as far as pressing buttons on a microwave you can not have failed to notice that the contents of the tray you pull out of the microwave has barely a passing resemblance to the “Serving Suggestion” pictured on the box. Attempts at real cooking with fancy ingredients inspired by the glossy pictures that face you down in the grocery store check out line only fare somewhat better, even if the flavor of the result hopefully knocks your socks off. The lesson learned fairly quickly from cooking is essentially that there are two kinds of recipes: The kind of recipe that makes something taste/feel a particular way, and the kind of recipe that makes something look a particular way. Unless it’s a photography magazine, generally the recipe is for how something tastes and that’s usually a good thing.

I think that begins to describe what happened with the BBC’s attempt at making a Top Gear series specifically for US audiences. In this case I think they had one of those recipes, but it appears to be the recipe (formula) from the photography magazine. You know, the one that says to use glue as the milk in cereal so that it looks right. Despite all the stories of kids eating glue in grade school, I never tried it more then once and while watching the episode “Cobra Attack” I was reminded why I never liked the taste of it very much.

There are definitely good things about the show but they seem to be largely mixed in with the bad. Adam Ferrara in particular embodied several of them. For example, his detailed deciphering of a Lamborghini model number was really useful information and was presented in a way that was interesting. On the other hand his interview of the legendary Buzz Aldrin was… not interesting. A full two minutes is given to the conversation between the two and as far as I can tell it was two minutes too long simply because the photography style recipe had been doggedly followed without any apparent understanding about why it works for Jeremy Clarkson. That formula must say that there should be some pleasant chit-chat and then the host eventually asks about the cars the guest has driven, followed by a softball along the lines of, “How did you like the track?” to move things along to the video replay of the celebrities attempt to drive quickly in a slow car.

I think one of the key reasons why it works for Mr Clarkson and not for Mr. Ferrara is that Clarkson at least looks like he is interested in the answers to the questions he is asking. For the first 40 seconds on the interview Adam seems to make an attempt to be genuinely interested in asking about Aldrin’s career and experience and then spends the remaining 1 min 20 seconds seemingly bored by asking rote “How about the blah blah?” from a list, even when Buzz at least tries to make those answers at least passably interesting. I would really be curious to see the rest of the footage from this section. Was there really nothing else more interesting to show the viewers?

In any case, the point of those questions is not to find out the details of what the guest has driven previously in any sort of detail, but instead it is to determine what kind of driver the guest is. Are they used to driving sports cars? Do they regularly drive at all? Are they a lead-foot or are they cautious? It gives information about the character of the guest which can be interesting. This recitation was not.

That kind of slavish copying of the style and rote of the original Top Gear series permeates the entire episode and are the key to the problems with the show. The main feature of this episode, and the source of the title, is a chase between a Dodge Viper and a Huey Cobra helicopter. Wow, I haven’t seen anything like that before. Oh, wait. A highlight of the next episode is a race against downhill skiers. Wait, not this one.

The flavor of the original Top Gear series is not attained by following that photographic formula to the letter. It is done by selecting the ingredients carefully and paying attention to what is happening in your pot while they cook. It doesn’t matter if the recipe says “high heat” if on your stove it starts to burn immediately. You turn the heat down! More apropos of this episode: a “pinch” of salt is a highly subjective measurement and should be adjusted to the taste of the audience.

One thought in fairness though, is that I have only seen episodes of the UK series after it had a chance to mature. I only have access to Season 6 and later easily, and so that is primarily what I have seen. Given enough time it is feasible that this lame copy could find it’s own voice. I suppose I just don’t trust that will happen. In that vein I asked people for good examples of UK media properties that had been remade in the US. The only examples that had come to mind for me had been the highly unfortunate “Coupling” by NBC. On balance there are several good examples including “Antiques Roadshow” (which I had thought was originally from the US), “American Idol”, and “The Office”. Now, I don’t particularly like either incarnation of those last two but that doesn’t make them bad shows in either form and I don’t think it’s fair to simply lump this attempt into something that could just be a popular misconception.

So is the US version of Top Gear a travesty? Heck no. The aforementioned bit explaining Lamborghini model numbers is a good example of when it really works. Similarly the graphic overlay of the guest’s position on the track while watching the lap is a nice touch, though using some transparency effects to make it slightly less prominent would be nice. Those kinds of little touches show that there is something there but unfortunately I think that by following the wrong formula a little too well makes the entirety end up tasting just like the paper those magazine photos are printed on.

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A playlist: A Male Experience

For those who do not know the details, my living situation is slightly non-standard. I live with my female partner (Generally referred to as “J”), J’s female partner Sigrid, and their two kids M and K. (I borrowed the naming system from Sig since it is simple and elegant.) Mostly my interactions with the kids are limited to a slightly ill-defined sort of live-in uncle relationship as I am not one of their parents. Primarily I only say something about their behavior when it’s really egregious and J and Sig aren’t close enough to do anything about it quickly, but I also get to corrupt their young minds with all sorts of silly ideas as long as I think it won’t get the three of us in trouble.

Anyway, as with most people, music is played while driving. J has an interesting but somewhat limited palette for music but Sig tends to be a bit more catholic in her tastes (note the small ‘c’) and so exposes the kids to all sorts of stuff over time. The other day the Talking Heads “Once In A Lifetime” was heard and the kids really liked it. Now Sig doesn’t have a lot of Talking Heads, and other then that and maybe a couple of other tracks isn’t particularly interesting in looking much more into them so she asked me if I had a copy that I could burn to a disc for the kids so they could listen to it in the playroom. Oh, and maybe some other stuff too if I wanted while I was at it. Maybe some male stuff. Sort of. The conversation was both simpler and more complex then that as it was between two people who have been friends for years and living in the same space for just over a year.

As with just about everything that I enjoy, I am primarily a dilettante when it comes to The Talking Heads. I have a more then passing familiarity with their album catalog, as well as some enthusiasm for portions of it but without a lot of significant interesting in keeping up with the minutia. Translation: I’ve got the “Sand In the Vaseline” greatest hits compilation and one other album and that’s about it which was more then enough to get started with the request and it didn’t take me too long for the idea to catch and be interesting enough to ensure it got done quickly.

Starting with “Once In a Lifetime” presents quite a bit of opportunity to go in any number of directions, but the one that really caught my attention was the aspects of dealing with modern masculinity and social roles for men and after spending a little time digging through my music collection it was pretty clear that it’s a pretty universal sort of theme.

  1. Once In a LifetimeTalking Heads – Popular Favorites: 1976-1992/Sand In the Vaseline
  2. On The AirGirlyman – Little Star
  3. All Kinds of TimeFountains of Wayne – Welcome Interstate Managers
  4. Jump Through the HoopsMighty Mighty Bosstones – Question the Answers
  5. Harder Better Faster StrongerDaft Punk – Discovery
  6. Pushing Me AwayLinkin Park – Hybrid Theory
  7. Losing My ReligionR.E.M. – Out of Time
  8. My CountryMidnight Oil – Earth and Sun and Moon
  9. ChicagoSufjan Stevens – Illinoise
  10. What Do You Want From MePink Floyd – The Division Bell
  11. ShoutTears for Fears – Songs From the Big Chair
  12. Let’s Go Crazy (LP Version) – Prince – Purple Rain
  13. I Wanna Be a CowboyBoys Don’t Cry – Retro Lunchbox: Squeeze the Cheese
  14. ArmyBen Folds Five – The Unauthorized Biography Of Reinhold Messner
  15. ’64 AKA Go – Lemon Jelly – ’64-’95
  16. Blue Boat HomePeter Mayer – Earth Town Square

The initial version of the playlist was about four hours long, but I was able to cut it down to under an hour and a half pretty quickly by stripping it down to one track per artist. After a few arrangements for flow and tempo a narrative started to develop, and eventually ended up in this order.

The narrative can be divided pretty loosely into Consciousness (Tracks 1-4), Rising Bitterness (Tracks 4-8), Self Discovery (Tracks 7-10), Anger (Tracks 10-12), What Next? (Tracks 13-16).

Consciousness is the point where the nebulous character of the narrative, let’s just call him John (for “John Doe”), finally takes notice of his surrounding. It’s not something that happens to everyone early in life and from my own personal experience seems to happen periodically even, or perhaps especially, after you think you have everything figured out. Maybe it’s the first time John has noticed how the world expects him to be and how he feels about that. Maybe it’s the 10th time. It’s pretty much the same every time since it inevitably turns into…

Rising Bitterness, or maybe Growing Resentment, describes the internal dichotomy that represents the urge to follow on with what’s going on because it seems relatively stable and trying to make that fit with the knowledge that you don’t like what you are doing or who you have become, but you continue to strive because “that’s what guys do”. Right? At a certain point John decides that the problem can’t possibly be him, so he starts acting out against his loved ones (“Pushing Me Away”) and his habitual institutions (“Loosing My Religion”). I really wanted to put “Harder Better Faster Stronger” before “Jump Through the Hoops” since it fits the narrative flow better, but the the guitar intro to “Jump” just makes more sense after “All Kinds of Time”.

Self Discovery happens two ways: The habitual institutions are cutting it anymore (Religion = God, sex, beer, money, whatever); Someone finally says something to piss him off enough to snap (“My Country”). The little intro at the front of “Chicago” just felt like a light bulb going off in John’s head and the lyrics of the song are all about trying to remake oneself while still not quite over his previous life. Not having developed tools for real self actualization we end up with the despair and pain present in “What Do You Want From Me?” as we start with the shouty bit.

Anger is something that humans deal with, and some days I wonder if it isn’t something that males deal with more. Blame it on the testosterone or whatever, but my experience lived and observed indicates that women don’t as often have the spark of pure rage to battle when even the littlest thing goes wrong. This is a different kind of anger then the bitterness though, since it’s harder to externalize. John has finally figured out that he’s the problem and uses the power of the anger to drive him to finally try and figure things out.

Initially, the answer to “What Next?” is something infantile. If John is in his mid-40′s this likely involves a small, fast, red vehicle and/or a new sex partner half his age or younger. While I doubt we all wanted to be cowboys when we were young the basic form is pretty common. (I wanted to be an astronaut.) Or maybe he could just run away from it all? Join the military! After thinking through the possible consequences of that move and what is likely to come of it John finally somes to terms with the urge to just do something different (“’64 AKA Go”).

Peter Mayer’s “Blue Boat Home” isn’t quite the right ending for this narrative, but it’s mostly there because I know both M and K love the song and I wanted to make sure I anchored the disc with something else that they knew especially after something as long-winded as the preceding Lemon Jelly track. I’m not entirely happy with other bits of the order either. “Let’s Go Crazy” should probably be in Rising Bitterness. “What Do You Want From Me” probably the same. I wanted to be sure that there were a couple of peaks in the mix though. The Pink Floyd tracks makes for a really good low spot in the energy of the mix just about the in the middle of the disc then ramping back up to a peak at “Army” and a slow wind down to the end.

Anyway, I used the Bing music search to link to most of the songs and then linked the artists to the best info I could find for each of them. For those of you with Zune Passes, the Bing link has the advantage of letting you listen to most of the tracks. For those of you without it’s got iTunes and Amazon links as well.

I’d love to hear people’s thoughts on the mix or the narrative or both. I don’t often have something that’s quite this cohesive, so it made sense to try and have it written down somewhere.

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